| Author | Message | ||
     Gandhiguevara Side Hero Username: Gandhiguevara Post Number: 9658 Registered: 10-2009 Posted From: 98.210.96.94 Rating: N/A |
performances wise...it's a very good movie annaay...chinna pilla role aithe keka | ||
| Anand_n Side Hero Username: Anand_n Post Number: 7724 Registered: 02-2008 Posted From: 167.24.104.150 Rating: N/A |
Kadu - this one is a Naseeeruddin Shah - Shabana Azmi movie - beautiful and sensitive take on handicaps - physical and mental ... Naseer is the blind one , he runs a school for the blind ..  Shabana is dealing with bereavement ... wonderful movie about people coming to terms with their insecutrities aa chal ke tujhe main leke chalu ik aise gagan ke tale jahan gam bhi na ho, aansoo bhi na ho,bas pyaar hi pyaar pale | ||
| Kingaa_bongaa Hero Username: Kingaa_bongaa Post Number: 10652 Registered: 02-2008 Posted From: 69.174.58.20 Rating: N/A |
tamud happu varalaxmivratham . Manaki Manam Kingu, Choosevallaki Bongu. | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21627 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
adhi black kadhu bock | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21626 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
marathi movie....kid going to an operation after which he going to get blind n his granpa taking him to all movies n places to see everything b4 he loses sight....meeru cheppey movie adhena? | ||
| Ipc302 Side Hero Username: Ipc302 Post Number: 5746 Registered: 02-2008 Posted From: 173.175.16.238 Rating: |
definitely according to SIMHA 20 years coma can wake up so anything is pozibul in NBK's pictures | ||
| Mental_sachinodu Side Hero Username: Mental_sachinodu Post Number: 4259 Registered: 10-2008 Posted From: 63.161.147.10 Rating: N/A |
black marichinattu unnav...  the world of appearances may or may not be real, or both may and may not be real - or may be indescribable; or may be real and indescribable, or unreal and indescribable; or in the end may be read and unreal and indescribable - its all Syadvada | ||
| Anand_n Side Hero Username: Anand_n Post Number: 7723 Registered: 02-2008 Posted From: 167.24.104.150 Rating: N/A |
Sai Paranjpe's Sparsh aa chal ke tujhe main leke chalu ik aise gagan ke tale jahan gam bhi na ho, aansoo bhi na ho,bas pyaar hi pyaar pale | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21625 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
poni blind person ki bala movie soopisthey effect untadha??? idhanna telusa atleast? | ||
| Ipc302 Side Hero Username: Ipc302 Post Number: 5745 Registered: 02-2008 Posted From: 173.175.16.238 Rating: N/A |
naketi telsu seppu
yes and very good movie... sensitivity has been trumped by sentiment in Nuvvu vasthavani nd i dont know what happened in lafangey parindey....LP is a long way from gulzar...the girl wants to be a roller skater or figure skater or something and the guy is a boxer who teaches the blid girl to dance and win some competition like idol/ talent...u can see how realistic these characters are | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21624 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
ok blindness meedha konni manchi movies.... all time great....Scenet of a woman by pacino then blindness by city of god director and ray by taylor hackford anukuntunna | ||
| Anand_n Side Hero Username: Anand_n Post Number: 7722 Registered: 02-2008 Posted From: 167.24.104.150 Rating: |
Gulzar's classic Kinara (Naam gum jaayega) theme kuda ide kada aa chal ke tujhe main leke chalu ik aise gagan ke tale jahan gam bhi na ho, aansoo bhi na ho,bas pyaar hi pyaar pale | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21623 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
Why would the bling girl wants to dance...why cant she just sit in a corner n sing....endhuku life complicate seskuntaru.... | ||
| Ipc302 Side Hero Username: Ipc302 Post Number: 5744 Registered: 02-2008 Posted From: 173.175.16.238 Rating: N/A |
khalid mehmood review prakaram story line is a lift from nuvvu vasthavani girl going blind accident by hero..hero teaching her dance etc etc | ||
| Elcaminocapastrino Megastar Username: Elcaminocapastrino Post Number: 21622 Registered: 03-2008 Posted From: 66.140.241.100 Rating: N/A |
Sukanya Verma reviews Lafangey Parindey. The Munnas and Siddhus of Mumbai's [ Images ] rundown alleys have unfailingly provided quote-worthy entertainment to the tapori-fascinated viewer. Whether it's the threatening tone of their declarations, eye-catching paraphernalia or spunky choice of words, often a cleverly wrenched-out version of its source, tapori-speak is a marvel in its own. Filmmakers in Mumbai have not just understood its potential but often employed its clout to document some of the coolest portrayals of the roguish hero by the likes of Anil Kapoor [ Images ], Sanjay Dutt [ Images ] and Aamir Khan [ Images ]. This indispensible rawness that defines this lot is missing from Neil Nitin Mukesh's [ Images ] One Shot Nandu in Pradeep Sarkar's [ Images ] latest offering, Lafangey Parindey. No amount of grungy dressing, folded sleeves, studded gloves or faded denims can wipe off the golden gleam he's born with and highlighted intently in his previous works. Ditto for all the phony blood he keeps spitting out at every given opportunity. All the same, he underplays the improbability of it all with enough dignity to entirely fizzle. This is pretty much the case with Lafangey Parindey as well. It opens with an in-your-face voiceover, akin to Kaminey [ Images ] but reveals in the first few minutes itself that it's never going to wear the intricacy of Striker or emotionality of Mashaal. Sarkar's departure from kerchief capers (Parineeta [ Images ], Laaga Chunari Mein Daag) is a sleekly-packaged potboiler with abundant implausibility that wowed us in the 1980s but commands very little respect today. What can be best described as a twisted Kinara (yes, the one by Gulzar [ Images ]) of the uncivilized world, Lafangey Parindey is plotted around a ring fighter One Shot Nandu and ambitious dancer Pinky Palkar (Deepika Padukone [ Images ]) residing in same neighbourhood acquainted through a common group of grubby louts -- Chaddi, Gulkand and Diesel. In the wake of unforeseen circumstances, Nandu and Pinky are forced to collaborate as a team. In what context? That would be a spoiler. Needless to say, their proximity leads to the inevitable even as Nandu's secret jeopardises his chances of being with Pinky. As in the case of most Bollywood-designed Maharashtrian mulgis, Pinky, in the same vein as Kaminey's Sweety Bhope (Priyanka Chopra [ Images ]), is a flirtatious, self-assured type. Unlike Sweety, however, Pinky's wardrobe is unbelievably chic and upscale for her income. Moreover the lady who plays Pinky is too stiff to accommodate the changing graph of her character. Except in that one scene where Deepika's supposed to charge out of a water tank and push Neil with extreme force and shoot an expletive, there's simply no trace of passion in her voice or body language. She's quite a graceful roller skate dancer though. But, considering the extent of beating she endures for this role -- loses sight, is bounced about, trips into a puddle, gets thrashed by a pile of smelly pomfrets and a lot of other ouch-worthy moments, Deepika is surprisingly unfazed, resulting in a bland performance. Making up for this lack of spirit, composer R Anandh's silvery score lend the proceedings an impressive blend of sentiment and soul. Like most Yashraj productions (they make it a point to remind you of this little detail by constantly plugging songs from their earlier movies), LP is a glossy product. Cinematographer N Natarajan Subramaniam does a commendable job of capturing oft-seen Mumbai landmarks with a keen, sharper vision while choreographer duo Bosco-Caesar construct some elegant moves around roller skating. Ultimately Lafangey Parindey, like its attention-grabbing title, is unapologetically superficial with a brief attention span. It doesn't dwell too long on the possible complications or questions that may arise in its protagonist's lives and conveniently wiggles out of/wraps up any uneasy development. Guess the makers can't blame us for reserving similar indifference towards the movie. bandal anta |
