| Author | Message | ||
     Chanakya950 Comedian Username: Chanakya950 Post Number: 1626 Registered: 05-2012 Posted From: 115.252.0.136 Rating: |
finally jeevi cheppadu kabatti choosta OT cheppunte li8 teesukune vadini NAKU NEENE POTI NATO NAKE POTI  | ||
| Cinema_talk_pichodu Junior Artist Username: Cinema_talk_pichodu Post Number: 115 Registered: 04-2012 Posted From: 106.208.3.249 Rating: N/A |
interval bang sexyyyy kiraakkk Sudeep screen presence is plus point | ||
| Manoj Comedian Username: Manoj Post Number: 1848 Registered: 12-2006 Posted From: 171.161.48.16 Rating: N/A |
http://idlebrain.com/movie/archive/mr-eega.html Screenplay - direction: Eega doesn’t have dialogues. It has to get our sympathy and empathy at the same time. Hence the director has to use the body language of Eega and the other characters’ love and frustration to elevate the emotion among the crowds. Rajamouli’s screenplay of the movie is exceptionally good. He made sure that there is a peak point in the movie for every 10 minutes after Eega enters. The reason why heroine is shown as a micro artist because she would be helping and arming Eega at a later point of time. Rajamouli lets his imagination wild when it comes to show the techniques adapted by Eega to take the revenge on mighty villain. There are several scenes I have liked and listing them all here might affect the thrill you are going to have when you watch it. The booby traps by Eega are hilarious. There is a marketing genius in Rajamouli. The eega appears like synthetic at the first look. But by showing eega photo and videos continuously for the last six months, he made sure that we are all familiarised with it by the time we watch the movie. Sudeep’s dialogues in trailers appear abrupt and made-up, but when you watch the same in the film - Sudeep dialogues are natural and free-flowing. The most hilarious part of the film is the thread of drunken thief (Thagubothu Ramesh) and how is connected to the post-climax scene. However, a couple of booby traps (chandelier falling) are little complex to understand when you watch for the first time. Rajamouli has taken Telugu cinema to national level with his concept of Eega. In my opinion, Eega is the best film in Rajamouli’s career. Parama Veera Chakra is the best form of punishment any criminal should be given for consciously squandering money at the time of inflation. Balakrishna's respect, reverence for director Dasari must be deep, it is so deep that he couldn't say no to his film and parallely jeopardises his previous hit Simha and also pushes his fans into depths of despair |
