| Author | Message | ||
     Jupiter Moderator Username: Jupiter Post Number: 8004 Registered: 05-2011 Rating: |
bala bomma llo .. enno pelvic thrusts untayi .. bala bommalu anni comedy episodes vuntayi .. mari hit endhuku avatledu Maa cinema collection ATHYADHIKA kotlu .. maave genuince collections | ||
| Diwakaram_april1 Side Hero Username: Diwakaram_april1 Post Number: 9528 Registered: 12-2007 Posted From: 75.103.13.52 Rating: N/A |
dheeeniki maamuluga ledhu Gajji... thu dheenammaa | ||
| Thelegend Moderator Username: Thelegend Post Number: 15052 Registered: 04-2008 Rating: N/A |
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| Getafix Side Hero Username: Getafix Post Number: 9987 Registered: 02-2008 Posted From: 159.127.66.112 Rating: N/A |
akkai bhoothaddal tho susinattundhi cinema ni.. fat joke ki navvuraaledhu ani review lo 2 lines ketayinchindi.. seriously? motham movie lo this was a non existent dialog.. and she cribs about this. Abhimanyu singh matured as an actor anta.. Ali nothing much to do aa? inka case close.. disco waste | ||
| Diwakaram_april1 Side Hero Username: Diwakaram_april1 Post Number: 9527 Registered: 12-2007 Posted From: 75.103.13.52 Rating: N/A |
Penta Mxxxda... edooosthu raaasinattu undhi review... | ||
| Chintu002 Junior Artist Username: Chintu002 Post Number: 454 Registered: 04-2010 Posted From: 122.175.5.188 Rating: N/A |
inthaki idhi pogidindha leka thittindha  Chiranjeevi is my God! Jai Chiranjeeva! | ||
| Bushu Side Hero Username: Bushu Post Number: 5196 Registered: 04-2009 Posted From: 12.30.230.138 Rating: N/A |
LOL. cinema antha unna manishi assalu ekkadaa nachaledanta. ila ochi ala poyina rao ramesh kummesadanta. gajji mamuluga ledhu akkai ki. balupu s/o gelupu | ||
| Itzpetergriffin Junior Artist Username: Itzpetergriffin Post Number: 9 Registered: 04-2012 Posted From: 72.37.244.100 Rating: N/A |
See her dammu review as well...koncham kuda manasakshi ledhu... | ||
| Andhrawala Hero Username: Andhrawala Post Number: 12342 Registered: 03-2008 Posted From: 152.51.56.1 Rating: N/A |
Yepp. Picchi M. maree daarunamgaa gaa raasindhii Racha - second biggest hit Charan ke untademo antunnadu | ||
| Sachin Megastar Username: Sachin Post Number: 29305 Registered: 04-2008 Posted From: 209.249.19.126 Rating: N/A |
cinema hit ayyindani oka pakkaaa kadupulo manta...annne negative lo seppi...last ki movie hit ani edusthaaa unadu gajjakka...okka magadu lo balaya ni soothe deeniki thadisindanta appatlo share ki gross ki thedaa theliyakapothenemi..daatar maaya box office disco lo iragadeesthaaadu... ki ki ki ... | ||
| Driverramudu Side Hero Username: Driverramudu Post Number: 7383 Registered: 02-2009 Posted From: 76.95.148.203 Rating: N/A |
chass deeniki nassindaa..anttyaakshari  Life is Race. I am in. Driving is my PASSION. Zindhghee dho pal ki...Intejaar kab thak hum karenge bhalaa...Tumhe pyaar kab thak naa karenge bhala... http://www.youtube.com/watch?v=0XFt16oIRMA&feature=related | ||
| Andhrawala Hero Username: Andhrawala Post Number: 12340 Registered: 03-2008 Posted From: 152.51.56.1 Rating: N/A |
Gabbar Singh has a very simple and ordinary South Indian filmi plot, remade into Hindi and now again remade into Telugu with a star who is in the right age and with a right appearance. It is neither a popular story nor a timeless one but what acquires importance is that Pawan Kalyan who is going through a string of flops has FYI a film that has tapped into all areas of the story albeit on a rough and a superficial level which is quite an achievement. The actor was no way close to what Salman Khan was in Dabangg, or for that matter he couldn't match his own sprightly and expressive work in Theenmaar. Here his acting was purely functional (except for a couple of episodes like the Antakshari and another with Brahmanandam in the marketplace) but what helped the director was the actor's charisma and some good writing and technical aspects and the rest of the entire credit goes to Harish. The director remains close and faithful to Dabangg and dishes out a decent entertainer without the hero taking off his shirt, without a fresh face like Sonakshi, without too many pelvic thrustings and accomplishes his task without too many risks or going overboard. The songs are a plus of course, the two numbers that follow successively does get a notice but Kevvu Keka could still have been breezy with any item girl, Malaika's presence hardly made any difference. The sentiment factor mainly goes missing here be it the tortured childhood, tears behind the Raybans or the emotional moments that got to do with the mother's death or the reconciliation scenes between father and son. There is one moment when Gabbar Singh directs his men, the fat go that side, the lean this side and the fit with me...but the dialogue about the dieting hardly elicits a laugh or makes you smile. Post Jalsa he's had all the wrong ladies, here he hits a new low by having Ms Shruti Hassan as his partner. All a heroine in this film needs to do is look pretty and throw the right glances, she does neither, even the voice doesn't suit her; Gayatri Rao who is obese does a far better job and exudes freshness despite her corny role and lines. The song thus written as a panegyric goes utter waste. Pawan Kalyan has nothing new to offer in terms of expression and looks, his jerseys show that he is trapped in youth though the spring in his walk is a delight to watch. Rao Ramesh has a very brief role but within that time he arrives at that point with the required emotion, Ajay is vulnerable and Tanikella Bharani impresses. Abhimanyu Singh has matured as an actor and Ali has nothing much to do. All in all, the dialogues, the routine Theenmaar dances and that one Antakshari scene is enough to see the film get a splendid talk. While Pawan Kalyan arrives into his forties and needs to enjoy his acting as much as his dances, Gabbar Singh proves that you don't need a fresh story or great screenplay to deliver success, one lengthy comedy episode and a few pelvic thrusts are enough to hit the jackpot. Harish Shankar, welcome to the Sreenu Vaitla league! You've done it again. Racha - second biggest hit Charan ke untademo antunnadu |
