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Thunder
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Username: Thunder

Post Number: 5708
Registered: 05-2007
Posted From: 204.27.156.146

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Posted on Friday, May 23, 2008 - 02:45 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)


Siloan:




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Siloan
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Username: Siloan

Post Number: 1404
Registered: 03-2008
Posted From: 155.201.35.54

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Posted on Friday, May 23, 2008 - 02:33 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)


Thunder:

postars lo yemundi , postars choosi movie hit ani cheppalemu kada




nenu hit or flop gurinchi kaadu mama..

RGV cheppina quote gurinchi anna
I have always believed that there is no greater cinematic visual than an actor performing in tight close-up. The faces of the Bachchans in Sarkar Raj are the ultimate testimony of that.
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Thunder
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Username: Thunder

Post Number: 5698
Registered: 05-2007
Posted From: 204.27.156.146

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Posted on Friday, May 23, 2008 - 02:31 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)


Siloan:




postars lo yemundi , postars choosi movie hit ani cheppalemu kada
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Siloan
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Username: Siloan

Post Number: 1402
Registered: 03-2008
Posted From: 155.201.35.54

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Posted on Friday, May 23, 2008 - 02:29 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)


Siloan:

I have always believed that there is no greater cinematic visual than an actor performing in tight close-up. The faces of the Bachchans in Sarkar Raj are the ultimate testimony of that.

The film belongs to me but the power belongs to the Bachchans

Ram Gopal Varma




Answer is here
http://in.movies.yahoo.com/movies/Sarkar-Raj/moviestills/pho to-gallery-10224.html
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Thunder
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Username: Thunder

Post Number: 5693
Registered: 05-2007
Posted From: 204.27.156.146

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Posted on Friday, May 23, 2008 - 02:25 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)

ee movie kooda naaku doubt ye, james mundu kooda ilane state ments ichadu, telugu janalu intaku mundu yeppudu soodaleni vidanga ee movie untundi ani
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Siloan
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Username: Siloan

Post Number: 1397
Registered: 03-2008
Posted From: 155.201.35.54

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Posted on Friday, May 23, 2008 - 02:22 pm:   Insert Quote Edit PostDelete PostPrint Post   Move Post (Moderator/Admin Only)Ban Poster IP (Moderator/Admin only)

Movie Synopsis:

When Anita Rajan, CEO of an international firm, brings a power plant proposal to set up in rural Maharashtra, before the Nagres, the insightful Shankar is quick to realize its benefits. After convincing Sarkar, Shankar along with Anita goes to the villages to mobilize support of the masses. However, things are not what they seem to be. From shady fixers with an eye on multi-million kick-backs to wannnabes who are ready to incite millions of people against the highly controversial project, Shankar's dream project gradually becomes a political minefield. Evil forces gang up to bring down the regime of Sarkar and obliterate Shankar's name from the political horizon.


Director's Note



At the outset, I want to make it clear that Sarkar Raj has nothing to do with Godfather-2. It also does not take off from where Sarkar ended. In the life of a man like Sarkar there are bound to be many instances which will give rise to new complex situations. So for want of a better word I would like to describe Sarkar Raj as the new adventures of the Nagre family.

For me, the Sarkar films are about framing and showcasing the aura of power.

I have employed each and every aspect of film making, be it music or screenplay or cinematography, for one and only one purpose; that is to capture the intensity in the actors' eyes, through which we see a world of high drama be it politics, treachery, revenge, passion, courage, love and relationships.

Sarkar Raj is much bigger than Sarkar in scale mainly because the issues and character conflicts it deals with are much more complex and intriguing than Sarkar.

I, along with my crew, pushed the upper limits of technique to make each frame and sound vibrate with power. But no technique is of any value unless it is backed by powerful performances.

I have always believed that there is no greater cinematic visual than an actor performing in tight close-up. The faces of the Bachchans in Sarkar Raj are the ultimate testimony of that.

The film belongs to me but the power belongs to the Bachchans

Ram Gopal Varma

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