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Megastar Username: New_user
Post Number: 27629 Registered: 02-2008 Posted From: 173.27.141.54
Rating: N/A Votes: 0 (Vote!) | | Posted on Monday, January 20, 2014 - 08:53 am: |
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http://www.hemanthology.com/interview-sukumar-talks-about-1- nenokkadine-screenwriting-and-a-lot-more convinced about a scene and why it’s important, he’ll do anything for that. I think some people have observed the film quite keenly and there are plenty of blogs, Facebook posts and tweets where people have figured out some interesting things in several scenes. I’m sure there are plenty of other subtle touches which people might have missed. Any comments on those? Oh! There are plenty of those elements which many people might not even notice. I’ll probably reveal everything in couple of weeks, but if you insist, here are some of the things : 1) Mahesh Babu spots a car on the hoarding before Kelly Dorjee vrooms past him right after the first song. 2) When Mahesh Babu is chasing Kelly Dorjee, you’ll find the car in different locations inside the tunnel in the same shot. We did that to suggest that the hero is hallucinating. 3) You’ll find a sticker of the rubik’s cube on the car. It was another motif that we used in the film because the rubik’s cube is a window to his past. 4) In another scene at the police station, when Mahesh Babu imagines that he has killed Nazar, the latter has a cap. In fact, while shooting that shot, Nazar sir was so surprised that he asked me why he had to wear the cap. I told him that it’s important because that’s the only reference Mahesh Babu has of one of his killers. There a quite a few scenes where Mahesh Babu cannot differentiate whether he’s hallucinating or not. How did you show the difference between the two? Oh yeah. We did a lot of things to show a subtle difference between his hallucination and reality. In the beginning, the lights keep flickering during the fight sequence when he’s hallucinating, but when the scene is repeated, the lights are normal. In the yacht scene, the first time he meets Kriti Sanon, the editing pattern is slightly different. The first time she enters the yacht, you’ll find mostly over-the-shoulder shots and the next time she comes there, first we have a wide angle shot to establish the location and then there are over-the-shoulder shots. He still keeps seeing the images from the previous scene. I don’t expect people to keenly observe all this, it’s just that I’m trying to add something to the scene. Taslima, Animal Lover. https://twitter.com/taslimanasreen/status/422093865219129344/photo/1/large |